Titirangi Storyteller

Telling tales from around the world

Donnie Darko

with 7 comments

donnie_darko-plakat2When it was released, I described Donnie Darko as David Lynch for teenagers, and then 26 year old writer-director Richard Kelly is Lynch-in-training. That was in 2001. And while Kelly appears to have been a one-hit wonder, his debut feature continues to amaze and delight – a magic realism horror ride, moody and resplendent with teen angst, dissociation and primitive fears.

Donnie Darko is 16 year old high school student in 80’s suburban Middlesex, Virginia; one having regular visitations from a six foot tall grey rabbit wearing a hideously toothsome metallic mask.

Yes, Donnie’s been seeing a shrink and mostly taking his medication.  But Frank, the rabbit, has plans, and there aren’t enough meds to keep him from seeing them to their conclusion.

donnie-darko-8He turns up in the middle of the night and orders Donnie out of the house, luring him to the bush, where he explains that the world is going to end in 28 days.  Disoriented, Donnie falls asleep and returning home in the morning, he finds the house cordoned off by police; a jet plane engine has fallen from the sky directly into his bedroom, but no aircraft has reported a problem in the area, much less a missing engine.  The government can’t explain it either, and orders the family to keep quiet.

Life eventually returns to normal for the Darkos, but Frank becomes donnie-darko-axeDonnie’s constant companion, commanding him to commit various acts of vandalism while urging him to explore time travel theories as the countdown to the end of the world continues.

With Drew Barrymore acting as executive producer and appearing as Donnie’s English teacher, this indie was able to raise a $4.5 million (US) budget: enough to take on a solid cast of Hollywood’s B-list in supporting roles; Patrick Swayze (Ghost) as a sleazy motivational speaker hiding a terrible secret, Katharine Ross (Butch Cassidy) as Donnie’s therapist, and Dances with Wolves’ Mary McDonnell as his Mum; with enough cash left over for some special effects to draw us into Donnie’s view of the world – nothing we haven’t seen before, but enough to do the job.

donnie_darko21But it’s Jake Gyllenhaal (October Sky) as Donnie who makes the flick, an extraordinary young actor playing a withdrawn genius who’d rather not make eye contact, taciturn one moment and discoursing on Smurf sexuality the next – reminiscent of Dustin Hoffman’s Benjamin Braddock in The Graduate, only not quite as well adjusted.donnie-and-grandma-death

It took director Richard Kelly three years to get the picture financed, and then only 28 days to shoot it.  While some of his technique is a bit heavy-handed, most notably the menacing clouds and wraithlike neighbours, mostly he’s hands off, letting his inspired script do its job, right up to its Lynchian ending.

The film’s website is still up, though updating this review, I found it’s got a new address –  http://www.donniedarkofilm.com. It remains almost as intriguing as the flick, “assisting” in resolving some of the time travel and wormhole issues fans may not be able to work out on their own.

But which DVD to choose? Donnie Darko – the theatrical release, clean and tightly edited, but so many questions left dangling? Or the Director’s Cut, 20 minutes of extra footage, including excerpts from The Philosophy of Time Travel, an expanded soundtrack and a slightly different take? Each comes with it’s own set of special features. My suggestion – buy the theatrical version, and rental the Director’s Cut to watch once. The tight theatrical edit is so much more satisfying. Of course there is a collector’s release that contains both versions.

As for the flick’s wunderkind director, Richard Kelly hasn’t dazzled anyone since Donnie Darko. The Box, a horror film starring Cameron Diaz, Frank Langella and James Marsden is due in October.  My guess is it’s his last chance to shine.

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Written by Titirangi Storyteller

24/04/2009 at 2:56 pm

7 Responses

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  1. I have watched both cuts of Donnie Darko and I think the Directors cut is so much better and explains a lot more, without giving too much away. I like the fact that i’m still left wondering about it! Great movie! 🙂

    Like

    Lou

    30/04/2009 at 1:33 pm

    • Off with your head! No one disagrees with me on anything to do with movies. Okay – that might be a bit extreme! You can enjoy the director’s cut (with all it’s drawn out explanations…) as long I can indulge in the tightly edited mysterious theatrical version.
      Thanks, Lou. I feel so much better now that I’ve worked that out. You’re a blessing!
      Cheers, Veronica

      Like

      titirangistoryteller

      04/05/2009 at 2:21 am

  2. Shot in 28 days, wow, the phrase 28 days until the world ends just got a new meaning.

    I was surprised that the film was shot in 2001, the film looks so 80’s. Even the special effects look like they might be from that year:). I especially liked the reference to Back to the Future that Donnie makes at one point.

    Like

    ironanno

    03/05/2009 at 9:51 pm

    • ha ha… I hadn’t made that connection! I agree, Chris Kelly definitely captured an 80s feel – something about the lighting and/or film grain? I had such hopes for him… But I’ve got my fingers crossed with The Box. How can you go wrong with Cameron Diaz & Frank Langella?

      Like

      titirangistoryteller

      04/05/2009 at 2:14 am

  3. My all time fave movie! I bought two different DVD packs of it and want to get it on blu-ray.

    I didn’t mind Southland Tales either. Wasn’t great but was a good type of weird. And the Frank easter egg/reference was cool too.

    I want to watch S.Darko and I don’t…

    Like

    benben78

    24/05/2009 at 12:46 pm

    • I don’t think there is anyone on the planet with anything good to say about S Darko. I’m going to stay away – but if a copy turns up in the mail, i’ll let you know what I think.

      Like

      titirangistoryteller

      24/05/2009 at 10:34 pm

  4. An unnerving, electrifying debut film from 26-year-old writer/director Kelly, one that elucidates the universal traumas of growing up, but does so with a startling uncommonness. Near-perfect film for me. Good review, please check out mine when you can!

    Like

    CMrok93

    09/03/2011 at 10:44 am


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